Filmed on November 29, 2002 before a sold-out audience at Royal Albert Hall the CONCERT FOR GEORGE is a beautifully filmed, joyous celebration of some of the most significant music of the 20th century. Include breathtaking performances of some of George's songs from rock's most influential artists and pop culture icons including, Eric Clapton, Jeff Lynne, Paul McCartney, Tom Petty, Billy Preston, Monty Python, Anoushka Shankar, Ravi Shankar, and Ringo Starr. This 2 DVD set is produced in 5.1 Dolby Digital and DTS surround sound.
Design is stylish and innovative.
Functionality that is Unbeatable.
Product Information Specifications for Concert For George Harrison Below:
Manufacturer: Merge Records
Brand: ARCADE FIRE
Fronted by the husband-and-wife team of Win Butler and Râ€šgine Chassagne, the Arcade Fire's emotional debut - rendered even more poignant by the dedications to recently departed family members contained in its liner notes - is brave, empowering, and dusted with something that many of the indie-rock genre's more contrived acts desperately lack: an element of real danger. Funeral' s mourners - specifically Butler and Chassagne - inhabit the same post-apocalyptic world as London Suede's Dog Man Star; they are broken, beaten, and ferociously romantic, reveling in the brutal beauty of their surroundings like a heathen Adam & Eve. "Neighborhood #1 (Tunnels)," the first of four metaphorical forays into the geography of the soul, follows a pair of young lovers who meet in the middle of the town through tunnels that connect to their bedrooms. Over a soaring piano lead that's effectively doubled by distorted guitar, they reach a Lord of the Flies-tinged utopia where they can't even remember their names or the face...
Five years since their last release, Trans-Siberian Orchestra return with a double album of all new material, entitled 'Nightcastle'. 'Nightcastle' is the Capra- esque story of someone changing their life for the better. The physical version of the album includes a 68 full color illustrated booklet.
A startlingly diverse effort, the Beasties' fifth LP saw the welcome addition of a new DJ, the abundantly skilled Mix Master Mike of the Invizibl Skratch Picklz. a quirky but effective combination of old school fundamentals ("Three MC's and One DJ") and futuristic trickery ("Intergalactic"), this album successfully conveys their energy, originality, and spark. This 2 LP set is pressed on 180 gram vinyl.
Weird Al Yankovic ~ Running With Scissors The king of pop parodies returns with another zany collection of tunes that poke fun at pop culture. There are a handful of undeniably funny moments--notably "The Saga Begins," which pairs the tune to Don McLean's horrendously sentimental "American Pie" with the plot to the first Star Wars prequel, and a fun, nonstop-dancing polka medley of late-'90s hits that starts with the Spice Girls and ends with Semisonic. Overall, Running with Scissors is well-executed and actually humorous, but the material is a day late and a dollar short. "Pretty Fly for a Rabbi" is funny once, maybe, but the majority of the disc consists of tepid takes on yesterday's news; the best jokes are devoted to Jerry Springer, Eddie Vedder, the Swing craze, and this place called Silicon Valley where they make computers. Why didn't someone tell Weird Al that a parody of Nine Inch Nails' lifeless industrial pop would have already sounded dated in 1995? It must be hard to stay on top of all the current...
Given total creative control by producer and friend Frank Zappa, Beefheart and his Magic Band rehearsed the material for this 1969 album for over a year, wedding minimalistic R&B, blues, and garage rock to free jazz and avant-garde experimentalism. Warner A colleague of Frank Zappa, Captain Beefheart (aka Don Van Vliet) and his Magic Band produced some of the most eccentric music of the late 1960s--or, for that matter, ever. The high water mark of Beefheart's bizarre career, this double album of freeform "Dada rock" features such daunting tracks as "Pachuco Cadaver," "Hair Pie (Bakes 1 and 2)," and "Neon Meat Dream of an Octafish," all of which actually sound as unusual as their titles. Between Beefheart's mind-bending lyrics and cavernous voice, as well as the twisted playing of guitarists Zoot Horn Rollo and Antennae Jimmy Semens, bassist Rockette Morton and drummer The Mascara Snake, this album fully explains the expression "far out." --Billy Altman
Sarah McLachlan: Fumbling Towards Ecstasy! 1993 Arista / BMG Direct Issue! Personnel: Sarah McLachlan (vocals, acoustic & electric guitar, piano); Bill Dillon (guitar, Guitorgan, piano, bass); Jane Scarpantoni (cello); Michel Dubeau (saxophone); Pierre Marchand (piano, keyboards, bass, percussion, programming); David Kershaw (Hammond B-3 organ); Brian Minato (bass); Jerry Marotta (drums, percussion); Guy Nadon, Ashwin Sood, Lou Shefano (drums). TRACKS: 1. Possession; 2. Wait; 3. Plenty; 4. Good Enough; 5. Mary; 6. Elsewhere; 7. Circle; 8. Ice; 9. Hold On; 10. Ice Cream; 11. Fear; & 12. Fumbling Towards Ecstasy. Pre-Lilith Fair, McLachlan had critical acclaim and a cult following but was otherwise just another hard-working female singer/songwriter--one who wasn't blasting down doors with overt sexuality or popping along in front of a male Svengali. Similar in their emotional urgency to her more recent work but delightfully less polished, these folk-rock songs are surprising gems. If not for McLachlan's poignan...
Mars Volta - Frances the Mute (CD) If one needed further proof of the contemporary revival/reassessment of the ambitiously overwrought sensibilities once so reviled in '70s rock, this aggressively mindbending second album by the Mars Volta offers it up in spades. Band mainstays Omar Rodriguez-Lopez and Cedric Bixler-Zavala insist that labels like "prog" don't interest them, and that this is emphatically not a "sequel" to 2003's De-Loused in the Comatorium. What it is was thematically inspired by a stranger's diary allegedly found by late bandmate Jeremy Ward, the basis for an expansive, often amorphous musical head-trip that brews psychedelia, trance, hard-rock and free-jazz into a daunting new whole. The dozen tracks here represent but five "songs" proper, though the band's disdain for conventional track banding inspire it to sound more like a stream-of-consciousness soundscape from Can--or a dark, lyrically inventive, if decidedly troubled corner of their ids. On the "Umbilical Syllables" portion of "Cygnus...