Manufacturer: Warner Bros.
Brand: Warner Bros
When the first track from a band's debut album gets added to major rock stations four weeks before its official release, it must be something very special. That's the case with "One Step Closer" from Linkin Park's first album, Hybrid Theory. Built on an aggressive hard rock foundation, flavored with hip-hop vocal stylings and electronic fourishes, as melodic as it is confrontational, with a strong lyrical message, Linkin Park is diverse and unique. It's also one step closer to scoring an important debut album - and that's not just theory.Certified Multi-Platinum (8 times) by the RIAA. (4/02) It may be too cynical to assume Hybrid Theory changed its name to Linkin Park in order to appear right next to Limp Bizkit in your local record bin. But rock-rap workouts like "One Step Closer" and "Papercut" do make Linkin Park a comfortable fit with Fred Durst and his ilk. Producer Don Gilmore (Pearl Jam, Lit, Eve 6) and twin vocal threats Chester Bennington and Mike Shinoda serve up industrial-strength rap and rock melodicism with equal aplomb on this woulda-been-self-titled debut effort. "Points of Authority" aims to sound like Trent Reznor wanking it up with Lars and company, whereas guitarist Brad Delson's Edge-y harmonics help "In the End" and "Pushing Me Away" evoke a dark romanticism akin to A Perfect Circle. Curiously, the band gets by with no bass player, while sample-happy DJ Joseph Hahn's step into the spotlight on the instrumental "Cure for the Itch" suggests a potential for eclecticism that could help Linkin Park outlive its seemingly transient genre. --Bill Forman
LIMP BIZKIT SIGNIFICANT OTHER Florida-bred metal-rappers Limp Bizkit sold a million-plus records of their debut largely on the strength of a George Michael cover song. But the band indeed had "Faith" and the group's second outing proves that the Bizkit have the goods. Still, it seems as if boastful frontman Fred Durst is loading the band's deck again, this time by including scads of guest vocalists, such as Stone Temple Pilots' singer Scott Weiland, Method Man from Wu-Tang Clan, and Korn's Jonathan Davis. (In fact, Korn gave Limp Bizkit a leg up in the industry.) But the 16 diverse yet cohesive tracks on Significant Other don't need any help. Not as heavy as their mentors Korn--or as they are on their debut--Bizkit give Everlast a run for his money on the tuneful and appealing "Rearranged." "Just Like This" is another winning hip-hop and rock entry, while the amusing and memorable "Nookie" (as in "I did it all for the nookie") has self-deprecating lyrics not unlike the Offspring's "Self-Esteem." Bizkit segues with ease from pleasing rock and hip-hop amalgam to spooky Tool territory on "Don't Go Off Wandering" to moshable moments in the entreaty "Show Me What You Got." Significant Other may be hard to categorize, but it's easy to like. --Katherine Turman
Manufacturer: Tuff Gong
Originally released in 1984, Bob Marley's LEGEND illustrates the remarkable life and recording career of one of reggae music's most important figures. This iconic collection not only serves as the perfect introduction to the music of Bob Marley, it has become an essential part in every Marley collection. It remains the world's best-selling reggae album and continues to be one of the best-selling catalog albums, exceeding 15 copies in the U.S. alone and over 27 million worldwide. PACKAGINGThe stunning tri-color vinyl (red green gold) is packaged as a double gatefold LP, allowing for a higher fidelity sound quality that is closer to the original source.The inner sleeve includes forewards written by Sir Paul McCartney, Stevie Wonder, and liner notes by author of the book Marley, Christopher Farley.
CD > POPULAR MUSIC > ROCK He’s been shot nine times. Incarcerated. And stabbed up and down. And that’s only what’s happened on 50 Cent’s down time. Hands down, 50 Cent is the biggest buzz emcee since Eminem (who just happens to be his label CEO), and Get Rich also features Dr. Dre on production, so it’s a can’t-miss record, right? Well, mostly. Get Rich is not filled with midtempo, radio-friendly numbers like "Wanksta," his thinly veiled Ja Rule dis first heard on the 8 Mile soundtrack. Instead, Cent brings the heat, not heater. He sheds his inner thug on "21 Questions," featuring G-funk crooner Nate Dogg showing some semblance of respect to the hotties, and then reverts right back to his thug persona on "In da Club," where he boasts "I’m into having sex, I ain’t into making love." There’s no "How to Rob, Pt. 2" here, although "Many Men" comes close, as he addresses some of the haters who may not fully get why he’s now rap’s big cheese. Surprisingly, the two Eminem-produced joints--"Patiently Waiting" (which thematically is very much like Em’s "Lose Yourself"), and "Don’t Push Me"--almost rival the beats supplied by Dre. Then again, it seems his most well-known cuts ("High All the Time" and "Wanksta," for example) are actually some of the weakest of the lot. Sure, Get Rich could never have lived up to the hype, it’s nowhere near Biggie's Ready to Die or Nas's Illmatic, but there's no fast-forward material here, a near miracle in these times. --Dalton Higgins
Thirteen extended mixes, remixes and dubs-many issued on '80s 12" singles and on the U.S. version of Legend , reggae's most famous album. Extended mixes of One Love/People Get Ready; Jamming , and Could You Be Loved join remixes of Lively Up Yourself; No Woman, No Cry; Buffalo Soldier; Exodus , and more!
NEED REF On The Slim Shady LP, Eminem wants it all. He's conflicted, you see; the world has treated him badly, and he wants to respond in kind. But he isn't a straight-up gangsta--this is, after all, the first release on Dr. Dre's Aftermath Records, his post-Death Row-era venture--and Eminem (born Marshall Mathers) doesn't really want anyone to follow in his footsteps, which leads to some interesting contradictions on this album. In the first single, "My Name Is," he's self-deprecating, rapping about his poor upbringing and his hairy palms. But on the very next song, "Guilty Conscience," he plays the devil to Dr. Dre's angel--that is, until Eminem brings up an incident from Dre's devilish past, rapping, "You gonna take advice from someone who slapped Dee Barnes?" Later, on "'97 Bonnie & Clyde," he turns Will Smith's "Just the Two of Us" on its ear, making it a tale of murder; but on "My Fault," he actually feels bad--though whether it's for the girl he overdosed or for himself is tough to figure out. With his nasal Midwestern tone, Mathers has a clean, clear flow, and the production--by Dr. Dre, Marky, and Jeff Bass--is crisp but consistently fun. With his outlook, it's tough to take Eminem too seriously, but he's made an album you don't have to take seriously to enjoy. --Randy Silver
The Slim Shady LP is the second studio album and first commercial release from the American rapper Eminem. It was released on February 23, 1999, under Interscope Records and Dr. Dre's Aftermath Entertainment. Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Dre and Jimmy Iovine, the album features production from Dr. Dre, the Bass Brothers, and Eminem himself. The majority of the record's lyrical content is written from the perspective of the rapper's alter ego Slim Shady, whom the rapper created on Slim Shady EP (1997). The lyrics are noted for their over-the-top depictions of violence and heavy use of profanity. The album was met with both critical and commercial success; critics praised Eminem for his unique lyrical style, and the record debuted at number two on the US Billboard 200 chart behind TLC's FanMail with 283, 000 copies sold in its opening week. The first official single, "My Name Is", peaked at number 36 on the Billboard Hot 100. The Slim Shady LP went on to be certified quadruple-platinum by the Recording Industry Association of America (RIAA). The record won a Grammy Award for Best Rap Album, and in 2003, the album was ranked number 273 on Rolling Stone magazine's list of the 500 greatest albums of all time. The Slim Shady LP turned Eminem from an unknown rapper into a high-profile celebrity. Interscope Records awarded him with his own record label, Shady Records, and he embarked on an extensive touring schedule to promote the album. In the summer of 1999, the rapper frequently performed on the Vans Warped Tour and in hip-hop clubs. He also became a highly controversial figure due to his lyrical content, which some perceived to be misogynistic and a negative influence on American youth. The rapper was also sued multiple times following the release of the album for reasons including slander and unauthorized sampling
Limited Edition. Includes bonus CD with 3 audio tracks: the exclusive track 'Greg (Acapella)' plus the rare tracks 'Hazardous Youth' (Acapella Version) and 'Sway & King Tech.' Also includes video tracks 'Just Don't Give a Fuck', 'My Name Is (Uncensored)', 'Role Model', 'Guilty Conscience', EPK, bonus live footage and screensaver.