People, Hell & Angels is a new album of twelve never before released Jimi Hendrix studio recordings. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums together in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.
This Deluxe Edition contains the exclusive bonus tracks "Ezy Ryder/MLK (Captain Coconut)".
1. Earth Blues
3. Hear My Train A Comin'
4. Bleeding Heart
5. Let Me Move You
7. Easy Blues
8. Crash Landing
9. Inside Out
10. Hey Gypsy Boy
11. Mojo Man
12. Villanova Junction Blues
13. Ezy Ryder
14. MLK Jam (Captain Coconut)
Manufacturer: 143 Records/Reprise Records
Brand: Word Entertainment
On 'Illuminations,' Groban worked with veteran producer Rick Rubin, known for his critically acclaimed work with Metallica, Red Hot Chili Peppers, Johnny Cash, and Dixie Chicks among many others. Groban co-wrote the majority of the songs, including 'Hidden Away,' which he wrote with Dan Wilson - former leader of the band Semisonic and co-writer of several cuts on the Dixie Chicks' 'Not Ready to Make Nice.' 'Hidden Away' was recorded live with Groban singing and playing piano, Matt Sweeney and Smokey Hormel on acoustic guitars, and veteran R&B icon Spooner Oldham on organ, with a striking orchestral arrangement by David Campbell added later. The opening piano chords and the unfolding melody evoke a timeless Americana, a thread from Stephen Foster through Aaron Copland through Paul Simon and Randy Newman, as Groban makes a heartfelt plea not to hide true love or one's true self.'Illuminations' finds both Groban and Rubin stepping out of each one's respective zone and creating an entirely new zone. The bracing result fulfills Rubin's vision of a 'fine art' Groban record, marrying the warmth of the sweeping American roots of Groban's writing and the grandeur of classical settings by matching the live, one-take performances by Groban and the intimate, core acoustic band with colorful orchestral arrangements by David Campbell and James Newton Howard.
Feat. 'What A Wonderful World' 'People Get Ready' & 'Stormy Monday' When Eva Cassidy is swinging her way through "Cheek to Cheek" and getting down and bluesy on "Stormy Monday" on this live set from 1996, it's nigh impossible not to get swept up in her voice's vast, barreling force. Her full range, though, becomes most obvious--and soul-shaking--on the slower side, as with Paul Simon's "Bridge over Troubled Water," Buffy Sainte-Marie's "Tall Trees in Georgia," and "What a Wonderful World." On these latter tunes, Cassidy's mix of aching clarity and rich warmth has a melting quality, speaking through the body to some evanescent presence that she seems to know all too well. She improbably makes Sting's "Fields of Gold" an emotional powerhouse just as easily as she makes Billie Holiday's "Fine and Mellow" an offhand declaration of feeling equal to nearly anything in the jazz vocal canon. In doing so she earns her place among the great singers--artists who could take any song and stamp it indelibly as their own. What Eva Cassidy had in her short life was an unbelievably perfect voice and a musical soul that grasped gospel, folk, blues, jazz, and all points in between as if they were mere stops on a single train ride. Alas, her ride ended in 1996, tragically early. --Andrew Bartlett
Her 1968 Chess debut, expanded and improved! Etta's highest-charting album, At Last! includes the hits All I Could Do Was Cry; My Dearest Darling; Trust in Me , and the #2 R&B hit title track. This reissue adds four bonus cuts! The R&B queen's classic collection is augmented this time around by a long-overdue digital remastering, plus a few bonus tracks, presumably for those who found the original album a little on the brief side. In addition to James's well-known hits, including "I Just Want to Make Love to You" and "Stormy Weather," there are four additional songs: "My Heart Cries," "Spoonful," "It's a Crying Shame," and "If I Can't Have You." Although one might cynically suggest that these were added to give Etta fans something to purchase besides The Essential Etta James, it's definitely true that these tracks are worth hearing. --Genevieve Williams
20th Century Masters: The Best Of Etta James (Millennium Collection)
Hear the reigning queen of cool jazz croon her way through 11 of her best tunes on this greatest hits collection. Few vocalists can muster the power and sass of Etta James when she's rocking the mike on classic R&B tunes like "Tell Mama" or "Something's Got a Hold on Me." But James also had a way with a ballad, and her sensitive readings of songs such as "At Last" and "All I Could Do Was Cry" made her a fan favorite in the early '60s. Had she not been sidelined for a while by an addiction to heroin, today we might think of James, not Aretha, as the Queen of Soul. Because this set offers only 11 cuts, it's generally inferior to Her Best: The Chess 50th Anniversary Collection, which boasts 20Â tunes. Still, it's a satisfying intro to the delightful "Miss Peaches" nonetheless. --Daniel Durchholz
Her Best - The Chess 50th Anniversary Collection by Etta JamesWhen sold by Amazon.com, this product will be manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply. Whether she sings string-laden pop ballads, lively soul, or gritty electric blues, James's high-powered, enormously expressive voice displays a knack for passionate blues inflections. Emotionally charged ballads including "At Last" and "All I Could Do is Cry" find James blasting through the orchestra with unearthly wails and moans. "If I Can't Have You," a duet with Harvey Fuqua, drops the orchestra in favor of horn-driven R&B and "Something's Got a Hold On Me" is a gospel-flavored romp reminiscent of Ray Charles. A live version of Jimmy Reed's "Baby, What You Want Me to Do" shows her raunchiest Chicago-blues style, and "In the Basement," with Sugar Pie DeSanto, is a funky workout. Also here are three classics from her soul-drenched 1967 Muscle Shoals sessions. --Marc Greilsamer
U.S. vinyl LP pressing. 2010 album from the legendary Pop/Rock vocalist. This is Tom Jones going back to his roots on an album of Gospel, Blues, traditional and Country songs, wearing his heart on his sleeve, emotionally raw and true. Recording with producer Ethan Johns (Kings of Leon, Ray LaMontagne, Paolo Nutini, Laura Marling) at Peter Gabriel's Real World Studios in the little village of Box in Wiltshire, coaxed the most exhilarating performances out of the singer. with musicians including steel guitarist BJ Cole, keyboardist Booker T Jones (of Memphis soul legends Booker T and the MGs), Hammond organist Chris Holland and background vocalists Gillian Welch, Alison Pierce, Dave Rawlings and Orin Waters at hand, Tom has quite simply delivered his tour de force. It's him bearing his soul, singing from the heart, telling it like it is.
HOLIDAY BILLIE LADY IN SATIN A harrowing classic, Billie Holiday's personal favorite among her '50s albums captures the singer 17Â months before her death, her once honeyed voice, scarred and weakened from punishing life, its ravages highlighted by the 1958 session's crisp sonics and the contrasting "satin" of Ray Ellis' sleek string arrangements. Yet it is that very contrast that explains the power of these performances: In revisiting its torchy standards, Holiday reduces them to their core of pain and longing, transforming "I'm a Fool to Want You," "You Don't Know What Love Is," and "You've Changed" into naked declarations as mesmerizing and unsettling as a horrific accident. Any postrocker that presumes pop standards and string sections automatically translate to "easy listening" hasn't listened to this. This 1997 version adds unreleased takes and a beautiful 20-bit digital transfer to extract every shivering pang of Holiday's music. --Sam Sutherland