What can we say? Here's the best-selling album of all time-including the Top 10s Beat It; Billie Jean; The Girl Is Mine (with Paul McCartney); Wanna Be Startin' Somethin'; Human Nature; Thriller , and P.Y.T. (Pretty Young Thing) -plus (CD only) unreleased songs, demos, interviews and more! Where Off the Wall was pretty much straight good times, Thriller introduced dread into Michael Jackson's solo work. By 1995's HIStory, this element curdled into overwhelming self-regard and out-of-touchness, but here it's bracing. While Thriller offers its share of cute ("The Girl Is Mine," a duet with Paul McCartney that was the album's first single; "P.Y.T."), the most memorable cuts remain "Billie Jean," "Beat It," and "Wanna Be Startin' Somethin'," all of which meld musical imagination and worried-mind lyrics. There's also the title track, which takes a cue from Parliament's concept pieces in employing Vincent Price to warn that nonfunky forces will "terrorize y'all's neighborhood." Thriller, of course, continues to battle with the Eagles' first greatest-hits package for the title of biggest-selling U.S. long-player ever. Bonus material on this edition includes "Someone in the Dark," from Jackson's E.T. children's album, and a Quincy Jones interview in which the producer cites "My Sharona" as the inspiration for "Beat It"--and, even better, the real-life Billie Jean's claim that Michael was "the father of one of her twins." --Rickey Wright
Sweden's biggest musical export! Included are a full 19 digitally remastered hits, most notably Dancing Queen; Take a Chance on Me; The Winner Takes It All; Waterloo; Fernando , and The Name of the Game . 76 minutes of AM bliss. Anyone looking for the key to Abba's enduring appeal should look no further than "Voulez Vous" and "Gimme! Gimme! Gimme! (A Man After Midnight)" for their answer. There was an innocence to the Swedish quartet, even when they were singing about one-night stands and the invitations to them. Gold establishes that the band, while appreciated as campy, were actually multifaceted in their execution. "S.O.S." has a raw urgency in its chorus, and "Does Your Mother Know" draws its energy from classic '50s rock & roll. Likewise, you don't have to be Priscilla to swoon over "Mamma Mia" or "Dancing Queen." And when it comes to drama, those soaring vocals on "The Winner Takes It All" turn the song into a bitter anthem of every relationship that has ever fallen apart. The much-covered "Lay All Your Love on Me" is practically epic. --Steve Gdula
In celebration of the quarter-century anniversary, Columbia Records is releasing a special limited edition DVD of this landmark film. Packaged in a deluxe DVD digi-pak designed to look like The Wall with debossed brick work and a clear O-card, this stunning release features a photo montage of film shots and a fold-out reproduction of the original film promotional poster. All the artwork and design for this lavish packaging has been coordinated by original Pink Floyd designers Peter Curzon and Storm Thorgerson.
1.Original film presented in high-definition widescreen and mixed in 5.1 surround sound
2."The Other Side Of The Wall" - a 25 minute documentary about the making of the film
3."Retrospective" - an exclusive 45 minute retrospective documentary of interviews with Roger Waters, Alan Parker, Gerald Scarfe, Peter Biziou, Alan Marshall and James Guthrie
4.Original film trailer and production stills By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Wate...
Manufacturer: Reprise Records
THE ULTIMATE BEE GEES is a double-disc career retrospective featuring the group's many hits and chart-topping singles, performances of a selection of hit songs they wrote for others, and liner notes by Tim Rice.Tim Rice's liner notes accompanying THE ULTIMATE BEE GEES puts the group's extravagant popularity into perspective. 'Within this package is a collection of performances and songs that very few practitioners of popular music of the past could match for quality, originality, and emotion. It's the singing, the harmonies, the arrangements, the sound, the rivalry, the love, the intelligence, the determination, but above all it's the songs.' Note: The play list has to be set to the ULTIMATE BEE GEES so that the tracks can appear in English.
Manufacturer: Sony Legacy
This 25th Anniversary Edition of Michael Jackson's landmark album features the remastered original album PLUS a bonus CD of additional material from the BAD sessions and new remixes. It also includes an exclusive booklet of previously unseen photography from the BAD era. CD1 - The original re-mastered album CD2 - A CD containing previously unreleased material recorded in Michael's personal studio at Hayvenhurst. This material includes early demo versions of songs from the album as well as demos for songs not included on the final album. All of this material is being released as it was recorded during the BAD sessions. Nothing has been added or changed. In addition, this CD also includes new remixes from internationally renowned DJ/producers.
This unique picture disc vinyl includes the original 10 tracks from the Michael Jackson's BAD album. The materials used to create picture discs and color vinyl are not the same as traditional vinyl. Picture discs will have an inherent surface noise in playback.
14 songs The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance. Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. The record's only misstep, the aptly named "Short Circuit" utilizes a keyboard riff that is nails-on-a-chalkboard awfu...